My most venerated Paris museum was once a railway station, built for the Universal Exhibition of 1900. Since then it was abandoned and later brought back to life 25 years ago, housing the largest Impressionist collection in the world. Not to mention my favorites, the Post-Impressionists.
I have wandered the halls of the Musée d’Orsay many a time, lost amidst it’s history both structural and that which decorates it’s walls. Though in the last year and a half, due to major renovations, much of this grand edifice was closed to the public, it’s space and artwork hidden from view.
To celebrate it’s recent unveiling, I decided to take a proper tour not only of the Orsay’s new galleries but also of it’s masterpieces. It was a Context Paris docent that enlightened me over an almost four hour long tour beginning in 1848 with Corot and the Barbizon School and ending in 1914 with Degas, Van Gogh, Cézanne and Monet, among others. I had briefly studied art history in the past, and tried to enlighten myself whenever possible, but an intimate tour with many of my most admired artists, where each of my questions was answered in depth and at length, THIS is art history heaven! Following the tour, I sat for some time in the sunlit space, thoughtful of all many stories I had been told, while gazing into the distance, grateful that this day at the Orsay was one of my own.